The 2M Music Spoken Here banner currently adorning the Marrs Bar stage.

Now in its third year, Music Spoken Here is a personal project to build a local scene and appreciation for live, jazz-related music by connecting a new audience with exceptional musicians through regular live events at The Marr’s Bar in Worcester.

Me playing my Bass Collection bass c. 1990. Photo by Shawn McFarlane. Outfit by Questionable Adolescence

The idea developed from my experience in the late 1980s and early 1990s, when I started playing bass guitar amid a resurgence in the British jazz scene. The bass decision was primarily influenced by listening to the early music of British jazz-funk band Level 42. I later heard an interview on radio 1 with Level 42 bassist and frontman Mark King, during which they played Meeting of The Spirits by The Mahavishnu Orchestra and One To One by Jan Hammer. That blew me away and led me on a journey of discovery into the very broad spectrum of music loosely labelled ‘jazz’.

I was fortunate enough to live close to London and often popped down to The Bass Clef and Tenor Clef in Hoxton, where artists like Jason Rebello and the Mondesir brothers were cutting their teeth on the live circuit. I remember seeing two new-to-the-scene saxophonists, Steven Williamson and Courtney Pine, play in St Albans! 

Jazz FM launched, Acid Jazz was born with Eddie Pillar’s new label and Gilles Peterson’s Talkin’ Loud label released the Young Disciples’ Apparently Nothin’ featuring the vocals of Carleen Anderson. I got involved in a regular jazz club at my local, The Tudor Arms in Watford, where I heard the incredible vocals of Liane Caroll, Claire Martin and the late Tina May for the first time, with their accompanying bands each broadening my experience of the music.

Cleveland Watkiss, Steve Williamson, Simon Booth (sadly passed in 2023) & Jason Rebello – c. 1990. Photo by Steve Double
Me with Snowboy and Paul Bradshaw (Straight No Chaser magazine) at the “Acid Jazz and Other Illicit Grooves” exhibition in Birmingham, 2023

There was one venue – the Rose & Crown pub in King’s Langley – that was particularly great. Run by Mike Holroyd, he put bands on 3-4 nights a week featuring jazz fusion, soul, funk and blues and finished off the weekend with a Sunday lunchtime jazz session. Being a small venue, there was much more to it than just listening to the band. It was great for meeting the musicians, talking music with them, learning and finding out what else they had going on. I remember some great collaborations featuring the young Phil Mulford on bass (Sax Appeal, System X) that played there a few times. It was all really energising for an aspiring bass player!

In my later twenties, the responsibilities of life took me on a different path. I stopped playing, didn’t go to so many gigs and lost touch with the live scene, although never stopped listening. Around 10 years ago I started to reconnect, following those artists I’d seen much younger who are now incredibly well established, and getting up to speed with the newer bands. I really wanted to recreate that vibe from my early twenties, when there were so many small venues where musicians and audiences could properly connect, talk about music and expand!

Me with Phil Mulford at The Factory Live, Worthing for his excellent Thunderthumbs show, some 30 years after the Rose & Crown days.
The Marr’s Bar stage set for Tristan Banks, April 2023

Music Spoken Here, by John McLaughlin, was one of the first jazz albums I listened to, having borrowed the LP from Watford library, along with Miles Davis’ Tutu. The title perfectly encapsulates the experience I enjoyed as a new musician and listener in those small, intimate venues some 30 years ago and that I aim to recreate through this project in what has become our home at The Marr’s Bar, in Worcester.

Dave Fuller
Instigator at Music Spoken Here


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